The Right of Publicity and Scarlett Johannson’s response to ChatGPT Sky voice

Details and context matter in Right of Publicity analysis. As a brief summary, OpenAI recently released its ChatGPT 4.0 with a chatbot voice (“Sky”) which Scarlett Johannson says is “eerily similar” to hers. We don’t know how the situation may get resolved, but the Right of Publicity provides a response. Apparently, an offer was made by OpenAI for Johannson to voice the ChatGPT 4.0 chat bot. Johannson declined. It may have seemed like a natural fit due to Johannson’s role in the movie Her in which she was the voice of an AI system. Perhaps that fit was so natural that on May 13, 2024 in proximity to the release, Sam Altman issued a one-word tweet: “her.” Past negotiations and this tweet could be the subject of considerable attention, as an example of why “details and context matter” when it comes to the Right of Publicity. The company has denied that Sky was meant to sound like Johannson, but these details could possibly indicate otherwise.

Here is a link to one of numerous articles providing more details: Scarlett Johannson ChatGPT voice that sounded like her

Super Bowl LI, Tina Fey and John Malkovich ads, and the Right of Publicity

When it comes to the Super Bowl, even the advertisements are watched with great anticipation and Super Bowl LI was no exception.  When your company is involved in licensing some of the advertisements in question, as Luminary Group was in the “Super Bowl Babies” spot, it tends to make one watch even more closely.  As a Right of Publicity specialist, I was especially intrigued by not one but two Super Bowl LI advertisements with strong Right of Publicity overtones.

The first spot with Right of Publicity implications was the talking yearbook Honda advertisement featuring Tina Fey, Steve Carell, Robert Redford, Amy Adams, Earvin “Magic” Johnson, Jimmy Kimmel, Missy Elliott, Viola Davis, and Stan Lee.  By showing an entire page of the yearbook photos of the not-yet-famous celebrities next to their classmates, approximately 60 other people appearing next to the talking yearbook images were identifiable.  I have no inside information about the making of the advertisement, so I will assume the spot was carefully vetted.  Maybe those other people were tracked down and permission was secured.  Maybe they used stock photography or models with hypothetical names and simply paid a minimal fee to recreate the yearbook pages instead of using the authentic pages.  In the Steve Carell segment, the person next to Carell even gets a speaking spot to which Carrell responds “that was a rhetorical question, Darryl!”  If nothing else, the Honda talking yearbook ad presents an interesting scenario for Right of Publicity analysis.

Here’s a link to the Honda advertisement:    Honda talking yearbook ad featuring Tina Fey, Steve Carell, Robert Redford, Magic Johnson, Missy Elliott, Viola Davis, Jimmy Kimmel, Stan Lee and Amy Adams

The second spot with Right of Publicity implications was the John Malkovich domain name advertisement for Squarespace.  In the advertisement, Malkovich is talking on his smartphone to a person who owns the domain name JohnMalkovich.com.  Malkovich says he needs the domain name because he is starting a men’s fashion line, but the person Malkovich is talking to is also named “John Malkovich.”  This prompts John Malkovich to say “yeah, you think when people contact JohnMalkovich.com they are actually looking for you?  Or maybe, maybe they’re looking for ME!”  Domain name analysis pertaining to famous individuals often depends on the nature of the use being made of the domain name.  If a person shares a name with a famous person of the same moniker, but is simply using that domain name in relation to the non-famous owner’s career, interests or life, for example, there may not be much the famous John Malkovich can do about it.  On the other hand, as so often is the case, if the content on the domain name is being used in a way that threads in the famous John Malkovich, then there could be an actionable domain name dispute.  The message of the John Malkovich ad is to register the domain name you want before someone else does.  That’s good advice, though it isn’t always the final word in instances where cybersquatting is taking place.

Here’s a link to the Squarespace advertisement:  Squarespace JohnMalkovich domain name ad

Variety interviews Jonathan Faber of RightOfPublicity.com & Luminary Group re: virtual celebrities

I had an engaging discussion with Ted Johnson of Variety Magazine regarding virtual celebrities earlier this week, and the opportunities and pitfalls presented by the technology that allows famous persons to be flawlessly recreated.  The opportunities and pitfalls are, in short, considerable.

Ted Johnson’s article appears in the latest edition of Variety as well as online.  You can check it out at this link: http://www.variety.com/article/VR1118055844

Benetton’s “unhate” campaign could be more than just a publicity stunt

Benetton has recently issued an advertising campaign featuring images of President Obama digitally altered to appear as though he is kissing Venezuelan leader Hugo Chavez, and in another spot, Chinese President Hu Jintao.

Benetton euphemistically calls it “an invitation” to “combat the culture of hatred.”  It still remains an advertisement.

The White House issued the following statement in response to Benetton’s ad:  “The White House has a longstanding policy disapproving of the use of the president’s name and likeness for commercial purposes.”  Sounds like someone at the White House may have a functional awareness of the Right of Publicity.

Here’s a link to more details on the advertising campaign:  http://digitaljournal.com/article/314625